Arts & Entertainment
PHOTOS: VCU Institute for Contemporary Art stuns visually, tackles “important but difficult” topics within
With an inaugural exhibit that challenges the city’s Confederate history and racial divide, Virginia Commonwealth University opens its Institute for Contemporary Art next week, drawing local and international attention alike.
By Chelsea Jackson, Siona Peterous, and Trevor Dickerson
With an inaugural exhibit that challenges the city’s Confederate history and racial divide, Virginia Commonwealth University will open its Institute for Contemporary Art next week, and it’s generating excitement not only in Richmond but also in national and international art communities.
The 41,000-square-feet Markel Center, where the ICA is housed, cost $41 million and sits at the corner of Broad and Belvidere streets–the city’s busiest intersection, with an estimated 60,000 cars passing by every day. Supporters say the facility will be transformational to Richmond, offering striking architectural visuals on the exterior and exhibits inside ranging from the thought-provoking to the downright provocative.
The city’s only stand-alone gallery of contemporary art, which will open to the public next Saturday, April 21st, sits between VCU’s Monroe Park Campus and the historic Jackson Ward community–a point that for decades was the divide between black Richmond and white Richmond.
Joe Seipel, the interim director of the ICA (and former dean of the VCU School of the Arts who returned from retirement to assume the role), said the idea for the project has been around for decades. Seipel and the ICA team say they have worked to ensure that everyone feels welcome to come enjoy the art gallery, a goal he hopes to accomplish by keeping admission free.
Steven Holl, Architect
During a press preview Thursday, New York-based architect Steven Holl said he looked to Richmond’s deep and complicated history for inspiration and incorporated certain aspects to bridge a gap between the growing presence of VCU and the larger Richmond community. Holl’s firm, known for specializing in educational and cultural projects, was chosen from more than 60 that submitted proposals for the building.
“This may be one of my favorite buildings I’ve [worked on] because it makes an urban statement, because there is a relationship between the campus and the city, and it also is a statement on the concept of time,” Holl said. Exploring the cavernous building, it quickly becomes apparent how much thought the renown architect put into every square foot of the institute. Holl says some of his favorite features of the facility are the specially-designed auditorium with a state-of-the-art audiovisual system and a steeply-pitched stadium seating layout as well as the elevator, which is large enough to serve both visitors and artwork and features intricately-detailed walls that take inspiration from the elongated slate in the institute’s outdoor garden.
The “forking” design of the building pays homage to a former train station that once sat on the site. Each of the four galleries intersects and branches out from the overall structure, much like the train tracks at Broad and Belvidere once did.
The relationship among time, space and race relation was a strong influence on the ICA’s opening exhibit, “Declaration,” said the institute’s chief curator, Stephanie Smith. She conceived the idea with Lisa Freiman, Seipel’s predecessor.
Stephanie Smith, Curator
“After the 2016 presidential elections, myself and Lisa Freiman decided to reshape the ICA’s inaugural exhibition given the climate of our country,” Smith said. “We were inspired to create a project that we would speak and give a platform to a diverse group of artists whose works reflect currents in contemporary arts but also catalyze change, convene people across the divide and to speak to important but often difficult topics that are relevant here as well as our nation more broadly.”
Freiman abruptly stepped down as the institute’s director in January after five years of overseeing the planning phases of the project. In a press release at the time, Freiman stated it was time for her to resume other projects she had put on hold. Despite her absence, Smith continued with the vision that created “Declaration.”
The exhibit includes projects from more than 30 artists, many of whom were commissioned by the ICA and whose work speaks to social issues of the environment, gender inequality, race, and sexuality. “Declaration” features a range of mixed media platforms – from audio and film to painting and graphic design.
Expanding on one of his previous exhibits, Paul Rucker, the ICA’s artist in residence, created “Storm in The Time of Shelter” for the ICA. It features Ku Klux Klan robes in urban and contemporary fashions. The life-size figurines wear KKK robes made of colorful fabrics such as African prints and various shades of camouflage.
On the opposite end of the first floor is a massive wall featuring a series of individual screen prints. The piece is the work of Amos Paul Kennedy Jr. and was created with the collaboration of local barbershops and salons. Each print is a quote from a conversation that Kennedy overheard while in the shops, capturing the role these spaces play in the city’s black neighborhoods.
The diversity of “Declaration” reflects VCU President Michael Rao’s hope that the ICA will make the city an international destination.
“We hope to become through VCUs Institute of Contemporary Art a world-class cultural hub,” Rao said. He said the ICA will help “advance the arts and invoke human senses like they have never been invoked before.”
Editor’s Note: VCU Capital News Service reporters contributed to this report.
Arts & Entertainment
Richmond Flying Squirrels to host summer movie series in the Diamond outfield
The Richmond Flying Squirrels will host Summer Movie Series presented by Woodfin at The Diamond with three chances to watch movies at The Diamond, the team announced recently.
The Richmond Flying Squirrels will host Summer Movie Series presented by Woodfin at The Diamond with three chances to watch movies at The Diamond, the team announced recently.
Movies will be shown on the video board at The Diamond on Friday, June 30, Sunday, August 27 and Saturday, September 16. Admission is $10 per person (children ages three and younger are admitted free). Tickets are available now at SquirrelsBaseball.com/Movies.
The three-night movie series begins on Friday, June 30 with a showing of the classic Pixar film, “WALL-E.”The gates open at 6:30 p.m. and the movie will start at 7:30 p.m.
On Sunday, August 27, the Flying Squirrels will host a showing of “The Goonies” at 7 p.m. The gates will open at 6 p.m.
The movie series concludes on Saturday, September 16 with “Encanto.” The gates will open at 5:30 p.m. and the movie will begin at 6:30 p.m.
Seating will be located on the field or in the first-base lower bowl. Guests are encouraged to bring blankets or pillows, but chairs are prohibited.
Concessions will be available for the Summer Movie Series at the first-base lower stand on the stadium’s concourse. No outside food and drinks are allowed. Only credit or debit cards will be accepted at the concession stands.
Parking for the Summer Movie Series will be available for free in the Blue Lot at The Diamond, located off Arthur Ashe Boulevard across from the bus station. All guests should enter the stadium through the right-field gate located near the Cross Timbers Roofing Party Pavilion.
Attendees are asked to apply any sunscreen and bug spray before entering the field.
Tickets and more information are available online at SquirrelsBaseball.com/Movies, by phone at 804-359-3866 (FUNN) or in person at the Flying Squirrels ticket office.
Arts & Entertainment
Richmond Triangle Players announces 2023-2024 season shows
Five plays, including a new production of one of RTP’s biggest holiday hits, will take the stage at Richmond Triangle Players for its 2023-24 season, as the company celebrates its 31st year.
Five plays, including a new production of one of RTP’s biggest holiday hits, will take the stage at Richmond Triangle Players for its 2023-24 season, as the company celebrates its 31st year.
“Last year’s 30th Anniversary Season included some of the largest and most ambitious productions we have ever attempted,” said RTP artistic director Lucian Restivo. “This new season, we will take an in-depth look into the LGBTQ+ experience with some intimate and edgier works, alongside a fantastical musical and the return of one of our favorite holiday hits.”
As always, the focus of every RTP is rooted in staying true to its mission, presenting unique — sometimes provocative, sometimes challenging, and sometimes simply hilarious –- works of theater.
For over three decades, Richmond Triangle Players has transformed the community’s conversations about diversity and inclusion through the production of LGBTQ+-themed works A nonprofit, professional theatre company founded in 1993, RTP takes pride in being the leading performing arts company in the region that produces high-quality transformational programming rooted in queer experiences and supports the development of queer artistry.
RTP is the only professional theatre company in the Richmond area – and the longest continually operating one in the entire Mid-Atlantic region — which expressly and regularly serves the LGBTQ+ community. While other local theatres occasionally produce plays with LGBTQ+ content, only Triangle Players has made an ongoing commitment to queer artists, issues, audiences, and community support.
The 2023-24 Season will Include:
A defiantly embracing call to action
One in two by Donja R. Love
September 20 – October 14, 2023
The raucous holiday treat returns in a brand-new production
Scrooge in Rouge, book and lyrics by Ricky Graham, additional material by Jeffery Roberson, other interesting bits by Yvette Hargis, original music composed by Jefferson Turner
November 15 – December 23, 2023
A new look at a ground-breaking comedy
Torch Song by Harvey Fierstein
February 14 – March 9, 2024
Forgotten women who are not easy to forget
Airswimming by Charlotte Jones
April 10 – May 4, 2024
The musical that will roll right into your heart!
Xanadu book by Douglas Carter Beane and music and lyrics by Jeff Lynne and John Farrar, based on the 1980 film of the same name
June 5 – July 13, 2024
Plus, on our Spotlight Cabaret Series (a separate subscription), we will feature:
Georgia Rogers Farmer: Re-Butter My Biscuit! October 19 – 21, 2023
Darienne Lake: Altered Boy, January 19 – 20, 2024.
Dan and Jim: A (Sorta) Love Song, March 15 – 16, 2024.
Nicholas Rodriguez: Sincerely, Sondheim, May 10 – 11, 2024.
Arts & Entertainment
Author Sadeqa Johnson discusses The House of Eve on June 8 as part of the Library of Virginia’s 2023 Carole Weinstein Author Series
Johnson is an international best-selling and award-winning author of five novels. Her novel Yellow Wife, which won the Library’s 2022 People’s Choice Award for Fiction, follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.
The Library of Virginia’s 2023 Carole Weinstein Author Series continues with a talk by best-selling author Sadeqa Johnson on The House of Eve, the historical fiction follow-up to her award-winning novel Yellow Wife. The free talk will be held at 6:00 p.m. on Thursday, June 8 at the Library of Virginia, 800 East Broad Street, Richmond. A book signing will follow the talk.
The House of Eve continues Johnson’s tradition of confronting timeless questions that have no easy answers. In this moving work of historical fiction set in 1950s Philadelphia and Washington, D.C., the stories of two women collide in unexpected ways as they both make decisions that shape the trajectories of their lives. The book explores what it means to be a woman and a mother, and how much one is willing to sacrifice to achieve her greatest goal. The House of Eve was an instant New York Times best seller and was selected by Reese’s Book Club as the February 2023 pick.
Johnson is an international best-selling and award-winning author of five novels. Her novel Yellow Wife, which won the Library’s 2022 People’s Choice Award for Fiction, follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia. Johnson is a Kimbilo Fellow, a former board member of the James River Writers and a member of the Tall Poppy Writers. She also teaches fiction writing for the MFA program at Drexel University.
The Carole Weinstein Author Series supports the literary arts by bringing both new and well-known authors to the Library of Virginia. Free and open to the public, the series focuses on Virginia authors and Virginia subjects across all genres and is made possible through support from the Carole Weinstein Endowment for Virginia Authors. This year marks the Library’s 200th anniversary, a special occasion for spotlighting the Library’s role in bringing attention to talented Virginia writers and fascinating Virginia subjects.
To see the series schedule and register for events, visit www.lva.virginia.gov/public/weinstein. For more information, contact Elizabeth Kaczynski at [email protected] or 804.692.3536.
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Author Sadeqa Johnson discusses The House of Eve on June 8 as part of the Library of Virginia’s 2023 Carole Weinstein Author Series
Science Museum of Virginia offering special $10 admission days on 10 separate dates this year
