The Richmond Police Department needs the community’s help to win a spot on “Lip Sync to the Rescue” – a new one-hour special, hosted by Cedric the Entertainer, to be broadcast later this year on CBS.
The RPD Lip Sync Challenge Video, shot last summer to the song “Brave” by Sara Bareilles, is one of 30 videos selected from across the country.
The first round of voting is underway and runs until September 1st. Anyone can vote for RPD by visiting the website and clicking “Vote Now” under the “Richmond, VA Police Department” video. You can vote as often as you’d like.
The top 10 videos will then be revealed on the show, which will film in front of an audience of first responders, family, and friends. Only two videos will advance to the live vote during the broadcast to crown a winner.
Richmond Police, Mayor Stoney apologize after tear gas deployed before curfew on protesters
Protesters took to the streets of Richmond again Monday night and were met with a forceful response and the deployment of tear gas by Richmond Police – an action for which the department and Mayor Stoney later apologized.
Hundreds of protesters took to the streets of Richmond again Monday afternoon and evening to speak out after the death of George Floyd. The group organized near both the Robert E. Lee and J.E.B. Stuart Monuments on Monument Avenue and remained mainly peaceful until police approached demonstrators at the Lee statue and deployed tear gas, as can be seen below from the below Twitter video from VPM.
— VPM (@myVPM) June 1, 2020
Around the same time, reports began coming in that protesters at the Stuart monument were attempting to bring it down. A young demonstrator scaled the base of the statue and took what appeared to be a hack saw to the leg of the monument’s horse in an effort to bring it down. Police responded by calling on protesters to stand down, citing the weight of the monuments and their potential to crush bystanders.
Richmond Police and Mayor Levar Stoney later apologized for the deployment of tear gas on peaceful protesters – well below the 8:00 PM curfew – saying it was uncalled for and inviting protesters to City Hall at noon Tuesday to “apologize in person.” For its part, RPD said the officers involved had been “removed from the field” and would be subject to disciplinary action.
Chief Smith just reviewed video of gas being deployed by RPD officers near the Lee Monument and apologizes for this unwarranted action. These officers have been pulled from the field. They will be disciplined because their actions were outside dept protocols and directions given.
— Richmond Police (@RichmondPolice) June 2, 2020
Words cannot make this right, and words cannot restore the trust broken this evening.
Only action. Only action will repair this community. Come to City Hall tomorrow at noon. I want to say sorry. I want to listen.
— Levar M. Stoney (@LevarStoney) June 2, 2020
The protesters then continued marching down Franklin Street, then W. Broad Street, where things fizzled out around 10:30 PM near 14th Street.
PHOTOS: Protests continue for third day around Richmond, tear gas deployed as marchers ignore 8PM curfew
Hundreds of protesters rallied at sites around town Sunday as the third day of protests in response to the death of George Floyd took place in Richmond.
Hundreds of protesters rallied at sites around town Sunday as the third day of protests in response to the death of George Floyd took place in Richmond. Protesters gathered at peaceful rallies on Brown’s Island and at the 17th Street Farmers Market downtown on Sunday morning.
Later in the day, another group formed at the Lee and Jackson monuments on Monument Avenue in the Fan. As dusk approached, the group made their way east on Franklin Street, turning onto W. Grace Street and then Broad Street near City Hall and Children’s Hospital at VCU.
An 8:00 PM curfew put in place by Mayor Levar Stoney did not deter most protesters, who continued marching and chanting until Richmond Police deployed tear gas and pepper spray into the crowd. Slowly, over the course of an hour, protesters dispersed.
Many businesses along W. Broad Street from Arthur Ashe Boulevard to the Arts District, already left cleaning up broken glass and graffiti Sunday morning from Saturday night’s protests, were left on edge, though there were far fewer reports of property damage Sunday. Many of the businesses affected were small or minority-owned. By Sunday, many showed their support for the protests, spray painting “Black Lives Matter” or “Small/Minority-Owned” on their window coverings to both show solidarity and deter further damage.
Photographer Dave Parrish caught much of the Fan/Downtown protest Sunday afternoon and files these photos.
Must-See RVA! — John Marshall Courts Building
A look into the history of Richmond places that are still part of our landscape.
- 800 East Marshall Street
- Built, 1978
- Renovated, 1994
- Architects, C. F. Murphy & Associates; Helmut Jahn, project architect (1978). Hening-Vest-Covey (1994)
Straight out of Alphaville.
Designed by a nationally known Chicago-based architectural firm, the John Marshall Courts Building was intended to provide a neutral background to the John Marshall House. In this it succeeds. it is a slickly detailed glass box with rounded edges. The building is the best example of the “glass box” genre in Richmond.
C. F. Murphy & Associates are among the more skillful followers of Mies van der Rohe, who was the most influential architect of the 20th century. Their Richmond building has been controversial on both functional and aesthetic grounds. [ADR]
Designed to respect the Marshall House next door, the sleek, black glass box of the John Marshall Courts Building sets off the house, emphasizing its iconic, welcoming facade. This is perhaps its only success, because the court building has been plagued with criticism for its dysfunction. Recent alterations have attempted to correct traffic and security issues. (SAH Archipedia)
When your lead architect likes to wear capes as normal outerwear, and his detractors call him “Flash Gordon”, there’s a chance you might not get what you were expecting. Before you know it, you might be throwing around emotional terms like controversial and dysfunction and find yourself spending money to correct gaps in the original design.
After graduating from the Technische Hochschule in Munich in 1965, (Helmut) Jahn moved to Chicago to study at the Illinois Institute of Technology, a school long associated with the Modernist aesthetic of Ludwig Mies van der Rohe and his followers. On the basis of this solid design background, Jahn was hired by Chicago architectural firm C.F. Murphy Associates to work on the Miesian design for McCormick Place in Chicago.
In the late 1970s and ’80s Jahn made his mark, designing extravagant buildings that combined historical and contextual references—the central tenets of postmodern architecture—with high-tech engineering solutions. (Encyclopedia Britannica)
Jahn certainly has his admirers and adherents. He has completed over 90 building projects during his long career and has been widely recognized for his efforts, earning a Ten Most Influential Living American Architects award from the American Institute of Architects in 1991.
However, in the early days, his critics considered him “that postmodern enfant terrible who rocketed to stardom on the supercharged fireworks of the State of Illinois Building in 1985.” (Architecture Week)
A 1986 Chicago Tribune article about his MetroWest design in Naperville, Illinois called him a “flamboyant postmodernist, who adorns himself in capes and Porches.” It went on to observe that the building produced nausea in a nearby office worker, and concluded with relief that “at least nobody has dubbed it the Starship Naperville.” [CHIT]
With context like that, perhaps it’s not surprising that issues were found with the courts building. Not everyone digs the glass box thing, that’s easy to grok, but the functional issues are something else. The building opened in 1978 and just four short years Robert Winthrop was calling it controversial, so whatever problems existed must have quickly found a voice.
The precise nature of the complaints is obscure, but the building does not appear to respect the available space. Together with the John Marshall House, the courts building complex consumes the entire block, yet there is a large, empty plaza along Ninth Street.
It certainly looks nice, but by 1994 the City would find itself coughing up $2 million dollars for a renovation to create additional office space and another courtroom. [RTD1] At such cost, there probably weren’t a lot of plaza enthusiasts still hanging around.
Adding to the sense of injury, the new courts building came at the price of the beautiful old John Marshall High School. It too sat quietly behind the John Marshall House at the corner of 9th and Marshall and was considered a state-of-the-art facility when it opened in 1909, with large classrooms, elevators, and science labs, as well as modern plumbing, heating, and ventilation. [RTD2]
Alas, this sacrificial lamb was razed, and the school had to scoot to a new location in North Side.
(John Marshall Courts Building is part of the Atlas RVA! Project)
- A shout-out to Ray Bonis & Harry Kollatz for their tips and input on the courts building!
- [ADR] Architecture in Downtown Richmond. Robert P. Winthrop. 1982.
- [CHIT] Chicago Tribune. Sunday, March 2, 1986.
- [RTD1] Richmond Times-Dispatch. December 8, 1994.
- [RTD2] Richmond Times-Dispatch. August 16, 1909.
Must-See RVA! is a regular series
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