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VMFA acquires work by abstract painter Alma Thomas

Painting complements works by African American and women artists and artists of the Washington Color School.

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The Virginia Museum of Fine Arts (VMFA) recently acquired Forsythia and Pussy Willows Begin Spring (1970), a painting by African American artist Alma Thomas (1891–1978).

“We are delighted that Forsythia and Pussy Willows Begin Spring has joined VMFA’s Modern and Contemporary art holdings,” said Alex Nyerges, VMFA’s Director and CEO. “Alma Thomas was a major contributor to 20th-century art. Her nature-based paintings significantly influenced artists who came after her, and her vibrantly colored canvases resonate with viewers today.”

Born in Columbus, Georgia, during the Jim Crow Era, Alma Woodsey Thomas and her family moved to Washington D.C., where more educational and economic opportunities were available for African Americans. By 1921, Thomas enrolled in art instruction courses at Howard University and, by 1924, became the program’s first graduate with a Bachelor of Science degree in fine arts. After receiving her Master of Arts degree in education from Columbia University in the 1930s, Thomas taught at Shaw Junior High School in Washington D.C. for 35 years before retiring in 1960 and devoting herself to painting full time.

Thomas had earlier eschewed abstract art in favor of figurative and still life painting. By the 1960s however, when studying at American University in Washington D.C., she admired and responded to the abstract paintings created by Morris Louis, Kenneth Noland and other contemporaries in the Washington Color School. This loosely affiliated group of painters applied luminous colorful hues by staining and soaking their raw canvases with thinned oil or acrylic paint.

In 1972, Thomas became the first African American woman artist to have a solo exhibition at New York’s Whitney Museum of American Art. She was also the first African American woman artist to have her work acquired and displayed in the White House after former First Lady Michelle Obama selected two paintings, Watusi (Hard Edge) and Sky Light, installed on loan to the White House in 2009, before the landmark acquisition in 2015 of Thomas’s 1966 painting Resurrection. Thomas’s works are featured in many museum collections including the Smithsonian Museum of American Art, the Baltimore Museum of Art, the Art Institute of Chicago, the Philadelphia Museum of Art and the National Gallery of Art. Her work is the subject of the current nationally touring retrospective entitled Alma Thomas: Everything Is Beautiful.

“Acquiring a painting by Alma Thomas has long been a priority for the museum. We patiently waited for an iconic work and are delighted to bring this vibrant visual echo of Thomas’ garden into our collection,” said Valerie Cassel Oliver, VMFA’s Sydney and Frances Lewis Family Curator of Modern and Contemporary Art. “Forsythia and Pussy Willows Begin Spring will complement VMFA’s existing holdings of work by African American and women artists, artists of the Washington Color School, as well as the canon’s celebrated masters of abstraction Norman Lewis, Henri Matisse and Wassily Kandinsky, whom Thomas noted as significant influences.”

The painting, from Thomas’s Earth series, is a classic example of the unique painting style she developed after encountering the work of the Washington Color School. Her technique of placing precise dabs of vibrant color in a succession of vertical, hyphenated stripes conveys the beauty of a colorful flower garden. The palette of warm browns, fresh greens, bright blues and sunny yellows evokes the blooming flowers, petals, grass, tree trunks and clear skies the artist could see from her bay window, which overlooked the garden at her home at 1530 Fifteenth Street in Washington D.C.

“Alma Thomas applied her radiant colors in a series of vertical, staccato brushstrokes in Forsythia and Pussy Willows Begin Spring to capture, in abstract terms, the beauty and rhythms of the natural world, including the flowers in her garden,” said Dr. Michael Taylor, VMFA’s Chief Curator and Deputy Director for Art and Education. “The white gesso ground that breaks up both the lines and bold touches of color not only helps to organize the composition’s rendering of the diverse shapes and colors of the natural environment, but also illuminates the scene and suggests sunlight peeking through the flowers and leaves. We believe that this joyful painting will be a landmark purchase for VMFA and an iconic work for our visitors to see and enjoy.”

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Trevor Dickerson is the co-founder and editor of RVAhub.com, lover of all things Richmond, and a master of karate and friendship for everyone.

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Dreams of Freedom LolliPops concert celebrates music of Black composers

This concert is a great introduction to the dream and message of Dr. Martin Luther King, Jr. – created especially for young listeners.

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This Saturday, January 15th the Richmond Symphony and Atlantic are presenting the LolliPops concert at the Dominion Energy Center’s Carpenter Theater (600 E. Grace Street).

This concert is a great introduction to the dream and message of Dr. Martin Luther King, Jr. – created especially for young listeners. More than a century of works by Black composers will be represented, including Florence Price, William Grant Still, Undine Smith Moore, Coleridge Taylor Perkinson, and Adolphus Hailstork. Enjoy the music of freedom, of triumph, of inspiration. Also featuring the recent winner of the Sphinx Competition Junior Division, dazzling 12-year-old violinist Amaryn Olmeda. Chia-Hsuan Lin will be the conductor.

Amaryn Olmeda – Photo Credit: Sweet Jean Photography

Additionally, Mia S. Owens a 12th grader from Glen Allen High School will be reading her poem “Glistening Hope” and Riley Reeves a 5th grader from Greenfield Elementary School will be his poem “The King”. The two were the winners for the Richmond Symphony Youth Poetry Contest: “What Does Dr. King’s Legacy Mean to You?”

Pre-show festivities start at 10am, concert starts at 11am. Tickets: $10-$20, https://www.richmondsymphony.com/ticketing/

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VMFA presents Tsherin Sherpa’s first solo museum exhibition

On view from February 19 to October 16, 2022, Spirits is a tightly focused mid-career retrospective of Tsherin Sherpa’s captivating and sublime paintings and sculptures.

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The Virginia Museum of Fine Arts (VMFA) presents Tsherin Sherpa: Spirits, the first solo museum exhibition of the Nepalese-born Tibetan American contemporary artist. On view from February 19 to October 16, 2022, Spirits is a tightly focused mid-career retrospective of Tsherin Sherpa’s captivating and sublime paintings and sculptures.

“Visitors to the Virginia Museum of Fine Arts may remember seeing Tsherin Sherpa’s paintings in the museum’s 2019 exhibition Awaken: A Tibetan Buddhist Journey Toward Enlightenment,” said Alex Nyerges, VMFA Director and CEO. “We are excited to present an exhibition of works by this globally acclaimed artist as the themes he explores — including the quest for individual and collective identity in a rapidly changing world — are universally relatable and compelling.”

Sherpa was born in Kathmandu, Nepal, in 1968, and immigrated to the United States 30 years later. From a young age, he studied Tibetan thangka painting with his father Master Urgen Dorje. He eventually moved away from this form of traditional painting and began creating original work that draws on both Tibetan Buddhist iconography and the imagery of popular culture, exploring the interplay of the sacred and the secular and giving shape to the artist’s own cross-cultural experiences.

Spirits is a captivating exhibition that will intrigue those who have an interest in contemporary global art, traditional Asian art, Tibet and Buddhism,” said exhibition organizer Dr. John Henry Rice, VMFA’s E. Rhodes and Leona B. Carpenter Curator of South Asian and Islamic Art. “Not only are Sherpa’s 36 works in the exhibition visually mesmerizing, but each is layered with meaning. Part autobiography, part social commentary, they contain the artist’s contemplation of struggles faced by Tibetans and other displaced peoples while inviting viewers to examine their own experiences with loss and re-empowerment.”

Presented as a narrative, the exhibition traces Sherpa’s Spirits, a series conceived soon after he shifted away from traditional painting and that has continued to evolve throughout the course of his career. “The story told by these works’ half-human, half-Tibetan-deity subjects is one of cultural loss, protracted struggle, eventual victory, wisdom gained and identity recovered,” said Dr. Michael Taylor, VMFA’s Chief Curator and Deputy Director for Art and Education. “I believe that visitors to the exhibition will be captivated, moved and inspired by these works of art.”

The painting Spirits (Metamorphosis) portrays two Spirits at just that moment of recovering their identity. Surrounded by butterflies symbolizing transformation, they discover under the dripping pigmentation of their bodies an internal power visualized as energetically swirling colors.

With Skippers (Kneedeep) — Sherpa’s first work to fully translate his painting into three dimensions — these empowering polychrome forms inhabit the body of a cheeky bubblegum-blowing Spirit clad only in golden briefs.

The sculptural installation Wish-Fulfilling Tree offers audiences a unique participatory experience. The seven-layer offering mandala, made from copper and ornamented with Spirit faces, was originally created to hold the wishes of survivors of Nepal’s devastating 2015 earthquake. Now it beckons visitors to write their own wishes on pieces of paper that will be inserted into the piece.

The finale of Spirits is a new work — Sherpa’s largest painting to date — created expressly for the exhibition. In it, Sherpa reflects on the long journey he and his Spirits have traveled.

The artist’s prolific Spirits body of work will be explored through a candid conversation between Sherpa and Dr. Rice on February 17, 2022, at 6:30 p.m. in the museum’s Leslie Cheek Theater. For more information about Tsherin Sherpa: Spirits and programs related to the exhibition, visit www.VMFA.museum.

Ticket Information

Tickets for the exhibition Tsherin Sherpa: Spirits are now on sale: $10 for adults and $8 for seniors 65+, youth 7–17 and college students with ID. The exhibition is free for VMFA members, children ages 6 and under, and active-duty military personnel and their immediate families.

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Calling Local Artists, Two Public Projects Looking for Proposals

Three community gardens and a fire station are looking for art to spruce up their neighborhood. Both proposals have January deadlines.

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PUBLIC ART FOR COMMUNITY GARDENS
The Richmond Grows Gardens Program and the Public Art Commission are partnering to commission three separate pieces of functional art for use in Community Gardens around the City. Artists throughout the Richmond, Virginia region are invited to submit their qualifications for consideration. Four to six finalists will receive $500 each to develop a more comprehensive proposal for final consideration.
RFQ Deadline: January 21, 2022
Honorarium for Draft Proposal: $500
Number of Commissions: 3
Commission Budget: $30K/each commission inclusive of artist’s fees, materials, insurance, fabrication, installation, travel and all other project-related expenses
The three Community Gardens are: • Charles S. Gilpin at 1420 St Peter Street • Alice Fitz at 1301 Perry Street • Broad Rock at 404 E Broad Rock Road
***
RICHMOND FIRE STATION #12
Richmond’s Public Art Commission seeks an artist or artist team to create a permanent, site-integrated public art commission for a new building that will replace Fire Station #12, the city’s oldest operating station originally built for a horse-and-buggy fire crew in the early 20th century. Professional artists from across the United States and its territories are invited to submit their qualifications for consideration. Three to five finalists will each receive an honorarium of $1,500 to submit a formal proposal for the project. Façade
Design and location map are available at https://www.rva.gov/planning…/public-art-commission
Application Deadline: January 24, 2022
Honorarium for Draft Proposal: $1,500
Total Project Budget: $150,000 (inclusive of all artist fees, materials, insurance, fabrication, installation, travel and all other project-related expenses)
The new fire station will be located at 2223 W. Cary Street.

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