The Valentine has added the extensive photograph archive of Style Weekly to its holdings, the Richmond institution announced in a news release this afternoon.
The acquisition follows the Valentine’s mission to collect, preserve and share Richmond history, and strengthens the museum’s focus on objects that represent the city’s most defined narratives and lesser-told stories.
The donation includes the entirety of Style Weekly’s photograph archives, including prints, negatives, slides, and some digital photographs, as well as bound issues of the publication from its founding in 1982 to 2016. The Style collection joins the Valentine’s vast archive of images, manuscripts, books, artifacts, costumes, and textiles.
“This is a major addition to our archives, and an addition we’re excited to utilize to engage Richmond audiences with the city’s history,” says Bill Martin, the Valentine’s Director. “Having a contiguous [photo] archive spanning more than a century will allow us to better present and interpret big-picture Richmond stories.”
Martin continues, “From ‘Top 40 under 40’ to ‘You’re Very Richmond If…,’ the Style Weekly collection provides a unique perspective on a transformative period in Richmond’s history. It was a key element in supporting the emergence of a new and vital cultural community. It will be a key source as we begin to understand this important moment in our history.”
“We were thrilled to partner with The Valentine in order to preserve the impactful work of Style Weekly,” said Kris Worrell, editor-in-chief of Virginia Media, the former owner of the magazine. “Now the public will have access to images of Richmond’s vibrant arts, culture, and political scenes, as the city evolved over the past 40 years.”
The Style Weekly collection will take years before it is cataloged, digitized, and publicly accessible. Special project funds will be needed to process this vast new acquisition. Additionally, beginning in late 2021, the Valentine will limit access to all of its holdings during its planned renovation of storage and research facilities.
Dreams of Freedom LolliPops concert celebrates music of Black composers
This concert is a great introduction to the dream and message of Dr. Martin Luther King, Jr. – created especially for young listeners.
This Saturday, January 15th the Richmond Symphony and Atlantic are presenting the LolliPops concert at the Dominion Energy Center’s Carpenter Theater (600 E. Grace Street).
This concert is a great introduction to the dream and message of Dr. Martin Luther King, Jr. – created especially for young listeners. More than a century of works by Black composers will be represented, including Florence Price, William Grant Still, Undine Smith Moore, Coleridge Taylor Perkinson, and Adolphus Hailstork. Enjoy the music of freedom, of triumph, of inspiration. Also featuring the recent winner of the Sphinx Competition Junior Division, dazzling 12-year-old violinist Amaryn Olmeda. Chia-Hsuan Lin will be the conductor.
Additionally, Mia S. Owens a 12th grader from Glen Allen High School will be reading her poem “Glistening Hope” and Riley Reeves a 5th grader from Greenfield Elementary School will be his poem “The King”. The two were the winners for the Richmond Symphony Youth Poetry Contest: “What Does Dr. King’s Legacy Mean to You?”
VMFA presents Tsherin Sherpa’s first solo museum exhibition
On view from February 19 to October 16, 2022, Spirits is a tightly focused mid-career retrospective of Tsherin Sherpa’s captivating and sublime paintings and sculptures.
The Virginia Museum of Fine Arts (VMFA) presents Tsherin Sherpa: Spirits, the first solo museum exhibition of the Nepalese-born Tibetan American contemporary artist. On view from February 19 to October 16, 2022, Spirits is a tightly focused mid-career retrospective of Tsherin Sherpa’s captivating and sublime paintings and sculptures.
“Visitors to the Virginia Museum of Fine Arts may remember seeing Tsherin Sherpa’s paintings in the museum’s 2019 exhibition Awaken: A Tibetan Buddhist Journey Toward Enlightenment,” said Alex Nyerges, VMFA Director and CEO. “We are excited to present an exhibition of works by this globally acclaimed artist as the themes he explores — including the quest for individual and collective identity in a rapidly changing world — are universally relatable and compelling.”
Sherpa was born in Kathmandu, Nepal, in 1968, and immigrated to the United States 30 years later. From a young age, he studied Tibetan thangka painting with his father Master Urgen Dorje. He eventually moved away from this form of traditional painting and began creating original work that draws on both Tibetan Buddhist iconography and the imagery of popular culture, exploring the interplay of the sacred and the secular and giving shape to the artist’s own cross-cultural experiences.
“Spirits is a captivating exhibition that will intrigue those who have an interest in contemporary global art, traditional Asian art, Tibet and Buddhism,” said exhibition organizer Dr. John Henry Rice, VMFA’s E. Rhodes and Leona B. Carpenter Curator of South Asian and Islamic Art. “Not only are Sherpa’s 36 works in the exhibition visually mesmerizing, but each is layered with meaning. Part autobiography, part social commentary, they contain the artist’s contemplation of struggles faced by Tibetans and other displaced peoples while inviting viewers to examine their own experiences with loss and re-empowerment.”
Presented as a narrative, the exhibition traces Sherpa’s Spirits, a series conceived soon after he shifted away from traditional painting and that has continued to evolve throughout the course of his career. “The story told by these works’ half-human, half-Tibetan-deity subjects is one of cultural loss, protracted struggle, eventual victory, wisdom gained and identity recovered,” said Dr. Michael Taylor, VMFA’s Chief Curator and Deputy Director for Art and Education. “I believe that visitors to the exhibition will be captivated, moved and inspired by these works of art.”
The painting Spirits (Metamorphosis) portrays two Spirits at just that moment of recovering their identity. Surrounded by butterflies symbolizing transformation, they discover under the dripping pigmentation of their bodies an internal power visualized as energetically swirling colors.
With Skippers (Kneedeep) — Sherpa’s first work to fully translate his painting into three dimensions — these empowering polychrome forms inhabit the body of a cheeky bubblegum-blowing Spirit clad only in golden briefs.
The sculptural installation Wish-Fulfilling Tree offers audiences a unique participatory experience. The seven-layer offering mandala, made from copper and ornamented with Spirit faces, was originally created to hold the wishes of survivors of Nepal’s devastating 2015 earthquake. Now it beckons visitors to write their own wishes on pieces of paper that will be inserted into the piece.
The finale of Spirits is a new work — Sherpa’s largest painting to date — created expressly for the exhibition. In it, Sherpa reflects on the long journey he and his Spirits have traveled.
The artist’s prolific Spirits body of work will be explored through a candid conversation between Sherpa and Dr. Rice on February 17, 2022, at 6:30 p.m. in the museum’s Leslie Cheek Theater. For more information about Tsherin Sherpa: Spirits and programs related to the exhibition, visit www.VMFA.museum.
Tickets for the exhibition Tsherin Sherpa: Spirits are now on sale: $10 for adults and $8 for seniors 65+, youth 7–17 and college students with ID. The exhibition is free for VMFA members, children ages 6 and under, and active-duty military personnel and their immediate families.
Calling Local Artists, Two Public Projects Looking for Proposals
Three community gardens and a fire station are looking for art to spruce up their neighborhood. Both proposals have January deadlines.