The Virginia Museum of Fine Arts (VMFA) announced this week that it has acquired The Three-Pond Cottage at Le Pouldu, an ambitious painting by Paul Sérusier (1864-1927), a pioneering Post-Impressionist who inspired the Nabis art movement and helped revolutionize 19th-century French art.
During the summer of 1888 Sérusier, a student at the Académie Julian, a renowned private art school in Paris, traveled to Pont-Aven (Brittany, northwestern France), a small artist enclave where Paul Gauguin agreed to take him as an apprentice. Rejecting the approach of Impressionists who focused on the light, color and shading to give visual dimension to a subject, Gauguin had already begun to distill subjects to their essence, formed by bold, flat planes of color and contour lines, a style that came to be known as Cloisonnism. Gauguin also delved into Synthetism, a style which sought to explore and visually convey poetry, spirituality and emotion. Working with Gauguin was a transformative experience for Sérusier, helping him expand his own artistic vision.
Sérusier returned to Paris with an unfinished work, created under Gaugin’s direction, that reduced a view of Aven River and the adjoining wooded area to its elemental components. The result was profoundly innovative, sensational and influential. Several of his peers at Académie Julian, including Pierre Bonnard, Maurice Denis, Jean-Édouard Vuillard and Paul-Élie Ranson, exalted the painted sketch, originally titled The Bois d’Amour at Pont Aven before Ranson aptly renamed it The Talisman (now in the collection of the Musée d’Orsay in Paris). Aspiring to re-envision painting, these artists formed a group named the Nabis (French: Les Nabis, a derivation of nebiim, Hebrew for prophet), active in France from 1888 to 1900. The Nabis created art that diverged from realism, infusing their art with vivid color and resonating metaphor and symbolism.
The following year, in 1889, Gauguin left Pont-Aven and settled for a time in nearby Le Pouldu, a Breton fishing village in northwestern France. Sérusier joined him there for a few weeks in the fall and further developed his philosophy of painting, pushing beyond Gauguin’s Synthetism and advancing his own work with more confident, intentional and innovative results. Sérusier’s most ambitious work from this trip, The Three-Pond Cottage at Le Pouldu, began as a plein air sketch and took on new life in the artist’s studio. The cottage and surrounding ponds, marsh grasses, wheat fields and haystacks are formed by the dynamic interplay between flat planes of complementary colors—swaths of warm ochre offset by deep blue and patches of russet red against dark green. The undulating compositional elements and repeated use of colors create a continued sense of movement, interrupted by textured vertical lines which effectively root the viewer in the foreground.
“The overall effect of this experiment was nothing less than the total sublimation of the outward appearance of the painter’s surroundings into a landscape inhabited by spiritual presence, a mystical vision rendered onto the canvas with a bold harmonization of color and form,” said Dr. Sylvain Cordier, VMFA’s Paul Mellon Curator and Head of the Department of European Art. The Three-Pond Cottage at Le Pouldu “is one of the earliest works to demonstrate how the Nabis artists would transform the foundations of art and distinguish their work from their Impressionist predecessors.”
“The Three-Pond Cottage at Le Pouldu is an important addition to the European art collection at VMFA as it provides a crucial contextual link between Post-Impressionist paintings by Gauguin and Vincent Van Gogh in the museum’s Mellon Collection, as well as later modern artists like Bonnard and Matisse.” said Alex Nyerges, VMFA’s Director and CEO.
“When situated between the paintings of Gauguin and Van Gogh in the newly renovated Mellon Galleries at VMFA next year, Sérusier’s The Three-Pond Cottage at Le Poulduwill occupy a vital position in the room dedicated to Post-Impressionism,” added Michael Taylor, VMFA’s Chief Curator and Deputy Director for Art and Education. “This work perfectly illustrates the essential nature of Gauguin’s influence on an entire generation of avant-garde painters, while also demonstrating how Sérusier transcended his mentor in conveying the poetic and the metaphysical through his visionary presentation of color and form. We are delighted to add such an important painting to the museum’s collection.”
Dr. Cordier will present a virtual lecture, “Painting Alongside Gauguin: A Masterpiece of the Pont-Aven School by Paul Sérusier” on Thursday, Nov. 5 at 6:30 p.m. EST. The online event, hosted on Zoom, is free to attend. Participants can register to access the lecture at www.VMFA.museum. Sérusier’s painting The Three-Pond Cottage at Le Pouldu is currently on view in VMFA’s Atrium. Other works by the artist can be found in the collections of the National Gallery of Art in Washington, the Art Institute of Chicago, the Museum of Fine Arts-Houston, Musée d’Orsay in Paris, Musée des Beaux-Arts de Brest and Van Gogh Museum in Amsterdam.
Photos: Preview of Dominion Energy GardenFest of Lights at Lewis Ginter
November 23rd is when you can check out the lights at Lewis Ginter but last night we were lucky enough to get a sneak peek.
InLight 2020: Safety and Accountability will be Spread About the City
The exhibition of contemporary light-based artworks, will take place November 12 – 15, 2020 at sites across Richmond.
Usually, the 1708 Gallery’s 13th annual InLight is held in one location allowing the various exhibits to be within easy walking distance from each other. This year the theme of Safety and Accountability hints to a new setup for InLight. The exhibition of contemporary light-based artworks, will take place November 12 – 15, 2020 at sites across Richmond and will address the paired themes of Safety and Accountability. Learn more.
Afrikana Independent Film Festival; Amy Smith; The Anderson; Barry O’Keefe; Black Matter Productions; Caitlin & Misha; Calvin Brown; Carl Patow; Christine Wyatt & Amena Durant; Dustin Klein, Alex Criqui, Miguel Carter-Fisher, & Josh Zarambo; The Kinfolk Effect; LaRissa Rogers; Mariana Parisca & Sandy Williams IV; New Negress Film Society; Performing Statistics; Stephanie J. Woods; Victor Haskins & ImproviStory
You can check out the interactive map here. Of the 18 exhibits only one is on the southside of Richmond and it’s only on Friday night.
Photos: Maymont Garden Glow
We escaped the election for a few hours last night and wandered around Maymont’s Garden Glow. Garden Glow turns off the lights this weekend so get your ticket now.
Maymont Garden Glow runs through Sunday, November 7th. The fee is $12 and if you take your time takes about 45-60 minutes. It does feel relatively small but still very much worth the trip. The most popular spots were the creatures and plants made with light near the Italian Garden and the music maker (near the mansion), in which you step on panel and are rewarded with sounds and light changing.
Brighten your autumn nights on a wondrous light-filled journey through Maymont, in a NEW LOCATION this year showcasing the historic architecture and gardens around Maymont Mansion. The scenery will shine with dramatic light displays for an enchanting experience to delight guests of all ages. Marvel at the breathtaking illuminations of the Italian Garden and other landscapes, admire colorful sparkles and shimmers in the splashing fountain, and stroll among historic estate buildings and the nationally treasured arboretum that stand aglow. The event also will include food trucks (see schedule), the Glow Bar and Glow Shop on the Carriage House Lawn. Proceeds benefit Maymont; no refunds. For information, call 804-358-7166, ext. 322.