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VMFA Recognizes Healthcare Workers and First Responders with Free Admission to Treasures of Ancient Egypt: Sunken Cities

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VMFA let us know about this wonderful opportunity for those on our frontlines to check out Sunken Cities.

Governor Ralph Northam and Alex Nyerges, Director and CEO of the Virginia Museum of Fine Arts (VMFA), today announced that healthcare workers and first responders can receive free admission to the exhibition Treasures of Ancient Egypt: Sunken Cities on view now through January 18, 2021.

First responders include 911 dispatchers, law-enforcement officers, professional and volunteer firefighters, professional and volunteer emergency medical services personnel, emergency management professionals, search and rescue teams, rescue pilots and divers, the Virginia National Guard, and members of other organizations in the public safety sector.

“Our healthcare workers and first responders have been on the front lines of the COVID-19 pandemic, working tirelessly to keep our communities safe and healthy over the past seven months,” said Governor Northam. “We are extending this well-deserved ‘thank you’ from the Commonwealth and the Virginia Museum of Fine Arts and hope those who continue to serve Virginia so ably can experience this special exhibition.”

“VMFA welcomes first responders and all who work in healthcare to take advantage of free admission and this once-in-a-lifetime opportunity to experience the wonders of ancient Egypt,” said Nyerges.

Among the nearly 300 objects featured in the exhibition are 250 works recovered from the underwater excavations of the ancient Egyptian cities of Canopus and Thonis-Heracleion. An additional 40 objects were loaned by museums in Egypt. Treasures of Ancient Egypt: Sunken Cities was curated by Franck Goddio, the director of the European Institute of Underwater Archaeology (IEASM) and organized for VMFA by Dr. Peter Schertz, the museum’s Jack and Mary Anne Frable Curator of Ancient Art.

Image Credit: VMFA

Highlights of the exhibition include a nearly 18-foot-tall, 5.6-ton statue of the god Hapy, the largest stone statue of a god recovered from ancient Egypt, beautiful statues of other gods and rulers of that civilization, and fascinating objects used to celebrate the annual Mysteries of Osiris.

Healthcare workers and first responders should call (804) 340-1405 to make their reservations and show their employee IDs or badges at the Visitors Services Desk when picking up their tickets. One free ticket is available per badge. Reservations for first-available tickets to the exhibition can also be made in person at the Visitors Service Desk. Reservations may not be available on weekends due to heightened visitation on Saturdays and Sundays. Tickets are scheduled to help limit gallery capacity during the pandemic.

Visitors to VMFA will notice several measures in place to help prevent the spread of COVID-19 with the well-being of visitors, volunteers, and employees in mind. Masks are required in the museum and disposable masks will be provided to people who do not bring their own. For complete information about the museum’s safeguards please visit the museum’s website at vmfa.museum/covid-19.

Ticket Information
The exhibition is free for VMFA members, children ages six and under, state employees, teachers, healthcare workers, first responders, and active duty military personnel. Tickets to see the exhibition Treasures of Ancient Egypt: Sunken Cities are $20 for adults, $16 for seniors 65+, and $10 for youth aged 7–17 and college students with ID.

Sponsorship Information
Treasures of Ancient Egypt: Sunken Cities is presented by Dominion Energy. In addition to previous exhibition sponsorships, the museum’s Dominion Energy Galleries house one of the strongest public collections of African art in the United States.

Treasures of Ancient Egypt: Sunken Cities is organized by the European Institute for Underwater Archaeology with the generous support of the Hilti Foundation and in collaboration with the Ministry of Antiquities of the Arab Republic of Egypt. The exhibition program at VMFA is supported by the Julia Louise Reynolds Fund. Additional sponsors include The Reverend Doctor Vienna Cobb Anderson, The Lettie Pate Whitehead Evans Exhibition Endowment, Mr. and Mrs. Robert W. Cabaniss, Jr., Sharon Merwin, Capital One Bank, Mrs. Frances Dulaney, Mary Ann and Jack Frable, Virginia H. Spratley Charitable Fund II, Elizabeth and Tom Allen, Lilli and William Beyer, Dr. Donald S. and Ms. Beejay Brown Endowment, Wayne and Nancy Chasen Family Fund of the Community Foundation for a greater Richmond, The Christian Family Foundation, The VMFA Council Exhibition Fund, Birch Douglass, Jeanann Gray Dunlap Foundation, Mr. and Mrs. Thomas F. Garner, Jr., Dr. and Mrs. William V. Garner, Hamilton Beach Brands, Inc., Francena T. Harrison Foundation Trust, Peter and Nancy Huber, The Manuel and Carol Loupassi Foundation, Margaret and Thomas Mackell, Deanna M. Maneker, Alexandria Rogers McGrath, McGue Millhiser Family Trust, Norfolk Southern Corporation, Richard S. Reynolds Foundation, The Anne Carter and Walter R. Robins, Jr., Foundation, Joanne B. Robinson, Stauer, Anne Marie Whittemore, YHB | CPAs & Consultants, YouDecide, and two anonymous donors.

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Richard Hayes is the co-founder of RVAHub. When he isn't rounding up neighborhood news, he's likely watching soccer or chasing down the latest and greatest board game.

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Flower Delivery by GWAR’s JiZMak Da Gusha is Terrifyingly Awesome

Nicola Flora has for a limited time a special delivery person (delivery demon, delivery thing).

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Originally spotted on rva/Reddit is the news that will be sure to brighten that special someone in your life. Sure it will cost you $100 bucks but how many people in this world can say they got flowers from a dog-headed drummer?

ATTENTION SCUMDOGS OF RICHMOND!!!!

Has your quarantine been as pitiful and pathetic as your meaningless existence?

If so, then we have just the thing to add some much-needed excitement (and possibly some terror) to your day!

For a limited time only, GWAR’s infamous dog-headed drummer JiZMak Da Gusha is delivering flowers on behalf of Nicola Flora. (He really needs the money.)

This special delivery service starts at $100 and includes a designer’s choice floral arrangement, delivery and photos with JiZMak.

Please include any messages you would like JiZMak to yell at your unfortunate flower victim on your behalf.

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‘Black Space Matters’ exhibit transforms asphalt lot behind VCU ICA into garden

A local activist transformed a vacant lot outside the Institute for Contemporary Art in Richmond to highlight issues of food security and the importance of Black and brown community spaces.

Capital News Service

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By India Espy-Jones

A local activist transformed a vacant lot outside the Institute for Contemporary Art in Richmond to highlight issues of food security and the importance of Black and brown community spaces.

The “Commonwealth” exhibit at Virginia Commonwealth University’s ICA features work from 10 artists including an outdoor installation created by activist and community farmer Duron Chavis who builds gardens throughout Richmond. The full exhibit seeks to examine how common resources influence the wealth and well-being of communities.

Chavis proposed the resiliency garden exhibit in 2019 during a public forum at the ICA. The resiliency garden—food grown to weather the tough times and to have food independence— is installed in an asphalt lot at Grace and Belvidere streets next to the ICA and features 30 raised beds of fruits, vegetables and flowers.

An extension of the garden exhibit is the “Black Space Matters” mural by Southside artist Silly Genius. A wall in the lot is painted, with fruit making the word Black and beneath the garden in big, yellow letters is “Space Matters.” The garden beds have historic quotes from civil rights leaders Kwame Ture and Malcolm X, among other activists.

“Black Space Matters means that Black people need space,” Chavis said. “We need space that is explicitly designed, planned, and implemented by Black and brown people.”

Chavis, along with a crew of volunteers, started building the garden on Aug. 10 while the ICA temporarily closed to install other exhibits.

“We invited him to think with us about how to activate a vacant lot next to the ICA,” said Stephanie Smith, ICA chief curator. “You could think about what it means to take a space and institutional resources, then give them over to an activist.”

Chavis seeks to address the lack of food access through his activism. Food insecurity, defined by the United States Department of Agriculture as “a household-level economic and social condition of limited or uncertain access to adequate food,” is an issue in Richmond’s low-income neighborhoods. The city had over 35,000 food insecure people in 2018, according to Feeding America, a network of more than 200 food banks.

“In a conversation about food justice, Black people are predominately impacted by lack of food access,” Chavis said. “We need space to address that issue.”

Low-income communities need access to resources and necessary skills to solve food wealth issues on their own, he said.

“We do not need anybody to come into our community to drop off food,” Chavis said.

He’s been doing work like this since 2012 and doesn’t have a hard count of how many garden beds have been built.

“Dozens, oh god, it’s all across the city,” he said.

Chavis amplified his efforts this year because of the pandemic. He fundraised and received a grant, according to a VPM report, to build over 200 resiliency gardens with the help of volunteers.

Quilian Riano, an architect at New York studio DSGN AGNC, designed the concept drawing for the ICA garden, which was envisioned as a public space for conversation and lecture. The completed garden is near identical to the original design except with an added texture and dimension, Riano said.

 The “Commonwealth” exhibit will be open until Jan. 17, 2021. After the exhibit ends, the gardens’ supplies and plants will be redistributed to other resiliency garden project locations throughout Richmond. Chavis collaborates with other groups and people to help people grow their own food during the pandemic.

Tickets to the indoor exhibitions can be reserved on the ICA website. Exhibits include a video performance by indigenous artist Tanya Lukin Linklater, Carolina Caycedo’s “Distressed Debt” and a sculpture by Lukin Linklater and Tiffany Shaw-Collinge.

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VMFA announces acquisition of major work by artist Virginia Jaramillo

The Virginia Museum of Fine Arts announced its recent acquisition of a painting by American artist Virginia Jaramillo: Time Fractal,1973. 

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The Virginia Museum of Fine Arts announced its recent acquisition of a painting by American artist Virginia Jaramillo: Time Fractal,1973.

Virginia Jaramillo spent her formative years in California and studied at Otis Art Institute in Los Angeles. When she began working in her Watts, Los Angeles studio in the early 1960s, her paintings were dominated by single textural plains of color inspired by the rough, cracked terrain seen in the southwest. Following the Watts riots in 1965, Jaramillo and her family moved to New York.

Jaramillo’s Curvilinear painting series, created between the late 1960s and early 1970s, features large canvases, filled with vivid fields of color surrounding thin, contrasting, and undulating lines. VMFA’s newly acquired work, Time Fractal,  is from this series and features two dark lines against a saturated red background.

“We are working diligently to reconstitute the often disparate narratives that the art world creates. In acquiring this work we are able to provide a more accurate picture of the art world in the 1970s, a time that arguably offers the most immediate understanding of today’s contemporary art landscape,” said Valerie Cassel Oliver, VMFA’s Sydney and Frances Lewis Family Curator of Modern and Contemporary Art. “The fact that Jaramillo is a woman and of Latin descent working amid the amazing artists emerging from the West Coast at that time is extraordinary.”

Jaramillo was the sole female artist to have her work included in the De Luxe Show by the Menil Foundation in Houston, TX. Held in 1971, during a time when exhibitions focused on the work of Black artists were controversial, the De Luxe Show was one of the nation’s first racially integrated shows featuring major contemporary artists of color.

“VMFA is actively working to better add to the representation of women artists and artists of color in the museum’s collection,” said Alex Nyerges, VMFA’s Director and CEO. “Virginia Jaramillo succeeded in crossing societal boundaries during the 1960s and 70s, and her work has established her as a significant American abstract artist.”

Jaramillo, whose career has spanned six decades, continues to work in New York. Several international solo and group exhibitions have featured her paintings and her handmade paper and linoleum works including the Los Angeles County Museum of Art, CA (1959–61); Whitney Annual, NY (1972); Mexican Museum, San Francisco, CA (1980); MoMA PS1, NY (2012); Brooklyn Museum, NY (2017); the Tate Modern, London, UK (2017); and the Menil Collection, Houston, TX (2020). Her work is also included in prestigious collections including the Metropolitan Museum of Art in New York, the Menil Collection in Houston, TX — and now VMFA in Richmond, VA.

“Virginia Jaramillo’s Time Fractal provides a more expansive look into abstraction in the 1970s and speaks so beautifully with the other works on view in our collection,” said Cassel Oliver.

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