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The Valentine’s popular Controversy/History series returns to address 2020’s impact

The Valentine’s popular conversation series will return virtually on Tuesday, October 6, co-hosted by Valentine Director Bill Martin and Coffee with Strangers host Kelli Lemon. The free, five-event series will focus on the evolving impacts of 2020, a year full of unexpected challenges and uncomfortable conversations, all amidst the backdrop of a global pandemic and massive social change.

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The Valentine’s popular conversation series will return virtually on Tuesday, October 6, co-hosted by Valentine Director Bill Martin and Coffee with Strangers host Kelli Lemon. The free, five-event series will focus on the evolving impacts of 2020, a year full of unexpected challenges and uncomfortable conversations, all amidst the backdrop of a global pandemic and massive social change.

“The Richmond community that entered 2020 is not the same community we find ourselves a part of today,” Valentine Director Martin said. “2020 has truly been a year of historic change, and it only makes sense to use our conversation series Controversy/History to examine those changes, how they have impacted the people of the Richmond Region and what we can do as a community to move forward together.”

Each virtual event will include an exciting lineup of guest speakers discussing contemporary issues and how 2020 has either upended or reinforced Richmond’s history, followed by questions from the audience and action steps for those inspired to get involved.

Here is a complete list of dates and topics:

October 6, 2020, 5:30-6:30 p.m.
2020 and Voting

November 3, 2020, 5:30-6:30 p.m.
2020 and Mental Health

December 1, 2020, 5:30-6:30 p.m.
2020 and Business

January 5, 2021, 5:30-6:30 p.m.
2021 and Education

February 2, 2021, 5:30-6:30 p.m.
2021 and Activism

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Trevor Dickerson is the co-founder and editor of RVAhub.com, lover of all things Richmond, and a master of karate and friendship for everyone.

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Flower Delivery by GWAR’s JiZMak Da Gusha is Terrifyingly Awesome

Nicola Flora has for a limited time a special delivery person (delivery demon, delivery thing).

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Originally spotted on rva/Reddit is the news that will be sure to brighten that special someone in your life. Sure it will cost you $100 bucks but how many people in this world can say they got flowers from a dog-headed drummer?

ATTENTION SCUMDOGS OF RICHMOND!!!!

Has your quarantine been as pitiful and pathetic as your meaningless existence?

If so, then we have just the thing to add some much-needed excitement (and possibly some terror) to your day!

For a limited time only, GWAR’s infamous dog-headed drummer JiZMak Da Gusha is delivering flowers on behalf of Nicola Flora. (He really needs the money.)

This special delivery service starts at $100 and includes a designer’s choice floral arrangement, delivery and photos with JiZMak.

Please include any messages you would like JiZMak to yell at your unfortunate flower victim on your behalf.

Place your order here.

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VMFA Recognizes Healthcare Workers and First Responders with Free Admission to Treasures of Ancient Egypt: Sunken Cities

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VMFA let us know about this wonderful opportunity for those on our frontlines to check out Sunken Cities.

Governor Ralph Northam and Alex Nyerges, Director and CEO of the Virginia Museum of Fine Arts (VMFA), today announced that healthcare workers and first responders can receive free admission to the exhibition Treasures of Ancient Egypt: Sunken Cities on view now through January 18, 2021.

First responders include 911 dispatchers, law-enforcement officers, professional and volunteer firefighters, professional and volunteer emergency medical services personnel, emergency management professionals, search and rescue teams, rescue pilots and divers, the Virginia National Guard, and members of other organizations in the public safety sector.

“Our healthcare workers and first responders have been on the front lines of the COVID-19 pandemic, working tirelessly to keep our communities safe and healthy over the past seven months,” said Governor Northam. “We are extending this well-deserved ‘thank you’ from the Commonwealth and the Virginia Museum of Fine Arts and hope those who continue to serve Virginia so ably can experience this special exhibition.”

“VMFA welcomes first responders and all who work in healthcare to take advantage of free admission and this once-in-a-lifetime opportunity to experience the wonders of ancient Egypt,” said Nyerges.

Among the nearly 300 objects featured in the exhibition are 250 works recovered from the underwater excavations of the ancient Egyptian cities of Canopus and Thonis-Heracleion. An additional 40 objects were loaned by museums in Egypt. Treasures of Ancient Egypt: Sunken Cities was curated by Franck Goddio, the director of the European Institute of Underwater Archaeology (IEASM) and organized for VMFA by Dr. Peter Schertz, the museum’s Jack and Mary Anne Frable Curator of Ancient Art.

Image Credit: VMFA

Highlights of the exhibition include a nearly 18-foot-tall, 5.6-ton statue of the god Hapy, the largest stone statue of a god recovered from ancient Egypt, beautiful statues of other gods and rulers of that civilization, and fascinating objects used to celebrate the annual Mysteries of Osiris.

Healthcare workers and first responders should call (804) 340-1405 to make their reservations and show their employee IDs or badges at the Visitors Services Desk when picking up their tickets. One free ticket is available per badge. Reservations for first-available tickets to the exhibition can also be made in person at the Visitors Service Desk. Reservations may not be available on weekends due to heightened visitation on Saturdays and Sundays. Tickets are scheduled to help limit gallery capacity during the pandemic.

Visitors to VMFA will notice several measures in place to help prevent the spread of COVID-19 with the well-being of visitors, volunteers, and employees in mind. Masks are required in the museum and disposable masks will be provided to people who do not bring their own. For complete information about the museum’s safeguards please visit the museum’s website at vmfa.museum/covid-19.

Ticket Information
The exhibition is free for VMFA members, children ages six and under, state employees, teachers, healthcare workers, first responders, and active duty military personnel. Tickets to see the exhibition Treasures of Ancient Egypt: Sunken Cities are $20 for adults, $16 for seniors 65+, and $10 for youth aged 7–17 and college students with ID.

Sponsorship Information
Treasures of Ancient Egypt: Sunken Cities is presented by Dominion Energy. In addition to previous exhibition sponsorships, the museum’s Dominion Energy Galleries house one of the strongest public collections of African art in the United States.

Treasures of Ancient Egypt: Sunken Cities is organized by the European Institute for Underwater Archaeology with the generous support of the Hilti Foundation and in collaboration with the Ministry of Antiquities of the Arab Republic of Egypt. The exhibition program at VMFA is supported by the Julia Louise Reynolds Fund. Additional sponsors include The Reverend Doctor Vienna Cobb Anderson, The Lettie Pate Whitehead Evans Exhibition Endowment, Mr. and Mrs. Robert W. Cabaniss, Jr., Sharon Merwin, Capital One Bank, Mrs. Frances Dulaney, Mary Ann and Jack Frable, Virginia H. Spratley Charitable Fund II, Elizabeth and Tom Allen, Lilli and William Beyer, Dr. Donald S. and Ms. Beejay Brown Endowment, Wayne and Nancy Chasen Family Fund of the Community Foundation for a greater Richmond, The Christian Family Foundation, The VMFA Council Exhibition Fund, Birch Douglass, Jeanann Gray Dunlap Foundation, Mr. and Mrs. Thomas F. Garner, Jr., Dr. and Mrs. William V. Garner, Hamilton Beach Brands, Inc., Francena T. Harrison Foundation Trust, Peter and Nancy Huber, The Manuel and Carol Loupassi Foundation, Margaret and Thomas Mackell, Deanna M. Maneker, Alexandria Rogers McGrath, McGue Millhiser Family Trust, Norfolk Southern Corporation, Richard S. Reynolds Foundation, The Anne Carter and Walter R. Robins, Jr., Foundation, Joanne B. Robinson, Stauer, Anne Marie Whittemore, YHB | CPAs & Consultants, YouDecide, and two anonymous donors.

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‘Black Space Matters’ exhibit transforms asphalt lot behind VCU ICA into garden

A local activist transformed a vacant lot outside the Institute for Contemporary Art in Richmond to highlight issues of food security and the importance of Black and brown community spaces.

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By India Espy-Jones

A local activist transformed a vacant lot outside the Institute for Contemporary Art in Richmond to highlight issues of food security and the importance of Black and brown community spaces.

The “Commonwealth” exhibit at Virginia Commonwealth University’s ICA features work from 10 artists including an outdoor installation created by activist and community farmer Duron Chavis who builds gardens throughout Richmond. The full exhibit seeks to examine how common resources influence the wealth and well-being of communities.

Chavis proposed the resiliency garden exhibit in 2019 during a public forum at the ICA. The resiliency garden—food grown to weather the tough times and to have food independence— is installed in an asphalt lot at Grace and Belvidere streets next to the ICA and features 30 raised beds of fruits, vegetables and flowers.

An extension of the garden exhibit is the “Black Space Matters” mural by Southside artist Silly Genius. A wall in the lot is painted, with fruit making the word Black and beneath the garden in big, yellow letters is “Space Matters.” The garden beds have historic quotes from civil rights leaders Kwame Ture and Malcolm X, among other activists.

“Black Space Matters means that Black people need space,” Chavis said. “We need space that is explicitly designed, planned, and implemented by Black and brown people.”

Chavis, along with a crew of volunteers, started building the garden on Aug. 10 while the ICA temporarily closed to install other exhibits.

“We invited him to think with us about how to activate a vacant lot next to the ICA,” said Stephanie Smith, ICA chief curator. “You could think about what it means to take a space and institutional resources, then give them over to an activist.”

Chavis seeks to address the lack of food access through his activism. Food insecurity, defined by the United States Department of Agriculture as “a household-level economic and social condition of limited or uncertain access to adequate food,” is an issue in Richmond’s low-income neighborhoods. The city had over 35,000 food insecure people in 2018, according to Feeding America, a network of more than 200 food banks.

“In a conversation about food justice, Black people are predominately impacted by lack of food access,” Chavis said. “We need space to address that issue.”

Low-income communities need access to resources and necessary skills to solve food wealth issues on their own, he said.

“We do not need anybody to come into our community to drop off food,” Chavis said.

He’s been doing work like this since 2012 and doesn’t have a hard count of how many garden beds have been built.

“Dozens, oh god, it’s all across the city,” he said.

Chavis amplified his efforts this year because of the pandemic. He fundraised and received a grant, according to a VPM report, to build over 200 resiliency gardens with the help of volunteers.

Quilian Riano, an architect at New York studio DSGN AGNC, designed the concept drawing for the ICA garden, which was envisioned as a public space for conversation and lecture. The completed garden is near identical to the original design except with an added texture and dimension, Riano said.

 The “Commonwealth” exhibit will be open until Jan. 17, 2021. After the exhibit ends, the gardens’ supplies and plants will be redistributed to other resiliency garden project locations throughout Richmond. Chavis collaborates with other groups and people to help people grow their own food during the pandemic.

Tickets to the indoor exhibitions can be reserved on the ICA website. Exhibits include a video performance by indigenous artist Tanya Lukin Linklater, Carolina Caycedo’s “Distressed Debt” and a sculpture by Lukin Linklater and Tiffany Shaw-Collinge.

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