Starting September 1, a two-hour parking limit from 7-10 AM will be in place from Sunday through Thursday and 7 AM to midnight on Friday and Saturday, except for vehicles displaying a valid permit. The streets impacted are below.
This change comes as a result of a vote by the Historic Jackson Ward Association.
Parking decals will be for sale starting August 1, 2020, and will cost $25 each. Visitor passes are $35.
Decals for residents are limited to three per house or building address. Visitor passes are limited to two per house or building address. To verify residency, a City of Richmond residential parking permit application must be completed and the following information must be provided:
- Photo identification
- Property owners must provide either a copy of their real estate bill or other information that verifies ownership of the property.
- Renters must provide a valid written lease for the property in the Jackson Ward parking district, and have the appropriate approval of the property owner on the application they present.
To get your decal, applications are available at City Hall, Room 102, 900 E. Broad Street from 8 a.m. to 5 p.m. daily.
Applications also can be downloaded here:
Buildings Damaged Tuesday Night, Arrests Made
No other reports of damage or injuries at this time.
The John Marshall Courthouse, Wells Fargo building, Omni hotel, and a Starbucks were damaged last night.
Brent Solomon of NBC12 Tweeted photos of the damage.
— Brent Solomon (@solomonreports) August 12, 2020
The police released the following statement on arrests.
On Tuesday night a group of individuals broke windows and damaged and defaced property in several neighborhoods in the city of Richmond.
At approximately 11:50 p.m., officers detained several individuals. The Department consulted with the Office of the Commonwealth’s Attorney on possible charges and charged four.
Julius Dela Cruz, Lakshmi Menon, Kyra Nguyen and Brian Quach were charged with rioting.
Several items, including a metal crowbar and a hammer were seized from the individuals.
Institute for Contemporary Art and VPM launch community media center
Chioke I’Anson, an assistant professor of African American Studies at VCU, will serve as the center’s inaugural director of community media.
The Institute for Contemporary Art at Virginia Commonwealth University and VPM, Virginia’s home for public media, are creating a media center inside the ICA for the production of audio content by VCU students, local community members and VPM professionals.
The VPM+ICA Community Media Center will create new opportunities for storytelling, train and educate the next generation of audio producers, and amplify voices often missing from traditional media.
Under the leadership of Chioke I’Anson, Ph.D., inaugural director of community media, the center will launch this fall with community and student podcasting workshops, training sessions and a special performance — all of which are expected to begin virtually due to COVID-19. The VPM+ICA Community Media Center is slated to open in spring 2021.
“Over the past several years, we’ve witnessed the rise of podcasting as a new genre of narrative and documentary arts,” said Dominic Willsdon, executive director of the ICA. “With that in mind, the ICA — as an institution responsive to new currents in public culture — sought to partner with VPM and launch an initiative that supports audio storytelling by, for and about our communities, especially those that have suffered historical inequity. We plan to grow this over time to include audio, video and community media-making more broadly. Beginning in 2021, our new community media center will provide the space, tools and support for this.”
Through this innovative partnership, the ICA and VPM also will launch a multiyear educational and media-making program comprising VCU academic seminars, youth media programs and public seminars, workshops and symposia.
“The VPM+ICA Community Media Center is a unique opportunity for public media to play a role in engaging a new generation of diverse content makers,” said Jayme Swain, CEO of the Virginia Foundation for Public Media and president of VPM. “We are honored to partner with the ICA and Dr. I’Anson to provide a creative space for students and the community to learn how to harness the power of media to tell their stories.”
The ICA’s second-floor Murry DePillars Learning Lab will house the media center, complete with two recording booths and workspace for conceptualizing, editing and producing podcasts and other audio programs.
The project reflects the ICA’s continued engagement with VCU students and faculty to develop new ways of thinking about and utilizing its space, a precedent that’s been in place since the ICA’s conception and has actively shaped its building design and programming.
“Everyone in Richmond has a story that only they can tell, or a perspective only they can share,” said I’Anson, an assistant professor of African American Studies in the College of Humanities and Sciences at VCU and underwriting announcer at NPR. “The VPM+ICA Community Media Center is the lab where anyone with something to say or a desire to create can get the technical skills to share their vision. The media center will be an arts and storytelling focal point, serving the city of Richmond and helping deliver its stories to the rest of the world.”
I’Anson will teach a podcasting seminar each semester for students in the Department of African American Studies and will work with a managing team comprising VCU students to plan and create a series of community events and youth programs.
RTD has the History of Nickel aka Boulevard Bridge
Learn more about our favorite bridge (that we can use) across the James. Mayo is a close second for those keeping track.
Living only a few blocks from the historic bridge means it has a special spot in my heart. I’ve crossed it countless times both on foot and in the car. I’ve seen bald eagles, osprey, kayaks, rafts, inner tubes, and a fair share of questionable driving. With it be such a prominent part of my life it was fascinating to get more details on the bridge from RTD.
They’ve provided a nice timeline and photos. My favorite bit of new information:
Jan. 5, 1925 — Thousands of motorists availed themselves of the decided moderation in temperature, combined with the fact that yesterday was the last day that motorists and others were allowed to cross the structure free of toll charges, and “tried out” the Boulevard Bridge.
Hundreds of automobiles, from the flivver to the more pretentious high-powered car, crossed the bridge during the day. At times there were so many of the gasoline-propelled cars on the structure that progress was made only at a snail’s pace.
An attache of the Boulevard Bridge Corp. essayed to keep a tally of the cars crossing the structure and succeeded fairly well until he had counted 5,000. At that juncture, however, they were coming so fast and so thickly that he got lost in the mathematical jungle and gave up in despair.