Montell Jordan, Biz Markie, Big Daddy Kane and Rob Base will perform at Throwback Thursday Live presented by 106.5 The Beat, Mix 98.1, and Q94 at the SERVPRO of Richmond Pavilion on August 15th. Tickets are now on sale at www.innsbrookafterhours.com.
The Billboard Top Ten songs chart for 1995 contains the following names: Coolio, TLC, Seal, Boyz II Men, Mariah Carey, Madonna, and a man named Montell Jordan. “This Is How We Do It” was a breakout new jack-swing song that topped the Hot 100 for seven weeks and R&B charts for eight. Jordan, tall and handsome with a silky – smooth voice, established himself as a powerful presence in music, brimming with talent, savvy, and charm. Over his more than twenty year career in music, Jordan has released seven studio albums, fourteen singles, and is a Grammy-nominated artist selling more than 10 million records worldwide.
Biz Markie is a rapper, beatboxer, DJ, actor, and comedian best known for his 1989 single “Just a Friend,” which was a top 40 hit in several different countries and is certified platinum. He has released five studio albums in his career spanning over thirty years.
Big Daddy Kane is a Brooklyn, New York M.C. who undisputedly defined the term “lyricist” in the world of hip-hop. Along with the lyrical ingenuity he brought to the genre, he also introduced innovative live performances as well. Kane was the first rapper to ever hold not one but two sold-out shows at the world famous Apollo Theater for women only. These live performances, which consisted of theatrics, choreography and tailored costumes proved that Big Daddy Kane was not only an M.C., he was a full entertainer. Kane revolutionized hip-hop fashion and the way hip-hop shows were performed.
Rob Base hails from Harlem New York. He first began performing with various groups such as Sure Shot Seven, Cosmic 3 MC’s, Freedom Force, and Disco Enforcers. He and partner DJ EZ Rock, (whom he has known since the 4th grade) would eventually separate from the groups to form Rob Base and DJ EZ Rock. In 1988, Profile Records released Rob Base & DJ EZ Rock’s Debut album It Takes Two. The title track became a massive single. The single and the album were certified platinum by the RIAA on June 12, 1989 Rob Base is best known for his hit with DJ E-Z Rock “It Takes Two,” which was a top 40 hit and is certified platinum.
Tickets for Throwback Thursday Live presented by 106.5 The Beat, Mix 98.1, and Q94 with Montell Jordan, Biz Markie, Big Daddy Kane and Rob Base on Thursday, August 15th at Innsbrook After Hours go on sale this Friday, June 28 at 10:00 AM at www.innsbrookafterhours.com or by phone at 1-800-514-ETIX (3849). A limited number of early bird general admission tickets will be available for one week for just $16. Gates are set to open at 5:00 PM. Show starts at 6:00 PM. All events are rain or shine.
‘World’s largest surf park,’ first on East Coast, coming to Chesterfield County
“Named simply, The Lake, the proposed 105-acre project reflects the lengths developers are going these days to compete for a generation of renters for whom just a pool and gym no longer cuts it. The development has been drawn up to incorporate 150,000 square feet of retail and entertainment, 100,000 square feet of office space, a 170-key hotel, 750 apartments, a 13-acre artificial Wake Lake, an amphitheater and a six-acre water park, capable of generating artificial waves large enough to surf.”
The first surf park on the East Coast – and supposedly the largest of its kind in the world – is coming to Chesterfield County, we’ve learned this morning. The 105-acre project, to be known as “The Lake,” would be a entertainment, retail, and tourism magnet, once developed.
From CoStar, who has the exclusive on the story:
A Virginia developer is planning a new mixed-use project in Richmond where the main attraction will be the first surf park on the East Coast and, upon its completion, the largest in the world.
Named simply, The Lake, the proposed 105-acre project reflects the lengths developers are going these days to compete for a generation of renters for whom just a pool and gym no longer cuts it. The development has been drawn up to incorporate 150,000 square feet of retail and entertainment, 100,000 square feet of office space, a 170-key hotel, 750 apartments, a 13-acre artificial Wake Lake, an amphitheater and a six-acre water park, capable of generating artificial waves large enough to surf.
Flatwater Cos., a firm that counts a real estate development veteran, an investment banker, and a construction manager as its principals, hopes to turn The Lake into a local and regional destination, hosting more 200 events per year.
“We’ve been working on [this development] for a handful of years, going through the permitting process, zoning entitlements,” Brett Burkhart, Flatwater’s director of project development and operations, told CoStar News. “Our firm was started with this project in mind.”
Axe-throwing chain set to open near The Circuit Arcade Bar in Scott’s Addition
The venue will open in the former Nicholson Sprinkler Corp. building at 3100 W. Leigh Street in the heart of the neighborhood.
From Richmond BizSense:
After its first attempt to get into the Richmond market fell flat, a Canadian axe-throwing bar is back with a location coming to Scott’s Addition.
Bad Axe Throwing is preparing to open at 3100 W. Leigh St. in a 5,000-square-foot space in the old Nicholson Sprinkler Corp. building.
Based in Ontario, Bad Axe has nearly 50 locations throughout the U.S., Canada and the U.K. In 2018, it began planning a Richmond location on West Broad Street, across from the forthcoming Whole Foods in Sauer Center.
But those plans fell through last spring. Bad Axe owner Mario Zelaya said there was an issue about the amount of parking available at that location, which caused them to scrap the plans.
VMFA receives more than 8,000 photographs from the Aaron Siskind Foundation
The gift represents the largest single donation of photographs in VMFA’s history; VMFA will take over the administration of the Aaron Siskind Fellowship Prize.
The Virginia Museum of Fine Arts has been given a gift of more than 8,000 photographs by Aaron Siskind (1903–1991) from the Aaron Siskind Foundation in New York. Established by the artist in 1984, the foundation’s mission has been to preserve and protect Siskind’s artistic legacy, as well as to foster knowledge and appreciation for photography through research, publications, exhibitions and an annual fellowship prize for individual artists.
The foundation recently decided to dissolve its operations and transfer the collection to an American art museum that would be willing to administer the annual fellowship prize and care for, interpret, and display the foundation’s core collection of Siskind’s photographs. VMFA was awarded this major gift thanks to the museum’s demonstrated commitment to photography and its outstanding fellowship program. The transfer of the collection to VMFA took place on January 1, 2020.
“After a thorough search of the major art institutions across the country, the Aaron Siskind Foundation was delighted to find that the visionary leadership, ambitious plans for the future, and commitment to carrying on Aaron Siskind’s legacy made VMFA the ideal choice as the new and permanent home for the collection and administration of the Siskind Prize,” says Victor Schrager, President of the Aaron Siskind Foundation.
“With this remarkable donation from the Aaron Siskind Foundation, the Virginia Museum of Fine Arts owns what Siskind and his colleagues considered to be the finest prints of every important work he ever made,” says VMFA Director and CEO Alex Nyerges. “Comparable to the key sets of Paul Strand’s photographs at the Philadelphia Museum of Art and Alfred Stieglitz’s photographs at the National Gallery of Art in Washington, D.C., this gift also allows VMFA to become an important center for the study and appreciation of Siskind’s life and work, as well as photography in general.”
The son of Russian Jewish immigrants, Siskind was born and raised in New York City and graduated from the College of the City of New York in 1926. Three years later, Siskind received a large-format view camera as a wedding gift when he married Sidonie Glatter. He took his first photographs with this camera on their honeymoon in Bermuda in 1930. Siskind later joined the Film and Photo League in New York. Inspired by the social documentary photography that he saw at the Film and Photo League, Siskind spent the next decade working as a street photographer, most notably producing his acclaimed Harlem Document series. In the early 1940s, he shifted to more abstract and symbolic work, often based on found objects.
Siskind supported himself by teaching in the New York public school system until 1949, when he resigned and briefly tried to earn his living as a freelance photographer. Unable to do so, Siskind moved to Chicago at the invitation of fellow photographer Harry Callahan, whom he met in the summer of 1950 at Black Mountain College in Asheville, North Carolina, where they both taught photography. Siskind went on to teach photography at the Institute of Design at Illinois Institute of Technology in Chicago from 1951 to 1970.
By the 1950s, his work had become widely associated with the Abstract Expressionist movement thanks to his acclaimed photographs of the walls of buildings, whose flat, variegated surfaces enlivened by peeling paint or the remnants of torn posters provided a visual counterpart to the work of Franz Kline, Willem de Kooning and other painters of the New York School. Siskind’s photographs were shown alongside the paintings of these artists in a series of exhibitions at the Charles Egan Gallery in New York between 1947 and 1951. At a time when photography rarely achieved equality with painting as a fine art, Siskind’s success in the broader New York art scene signaled an important advancement for the medium.
In 1971, Siskind was appointed as a professor of photography at the Rhode Island School of Design (RISD), a position he held until his retirement in 1976. He spent the next two decades traveling extensively, including extended trips to Italy, Morocco, Mexico and Peru. In 1975, he made an acclaimed series of abstract compositions in Peru based on the tightly packed stone wall at Sacsayhuamán which, with its geometric patterning, continued the artist’s interest in finding visual equivalents for contemporary abstract painting in his stark black and white compositions. When Siskind died in 1991, he held a pre-eminent place in the history of the medium thanks to his career-long dedication to the idea that photography can be an abstract form of expression and an aesthetic end in itself.
The gift includes the core collection of 4,062 photographs that represent the artist’s finest works from every series and period of his career. VMFA will also receive approximately 3,900 duplicate prints which it will donate to other museums, including those in cities and places where Siskind lived and worked, as well as countries he visited at the end of his career. The museum has also agreed to take on the responsibility of administering the Aaron Siskind Individual Photographer’s Fellowship, which provides cash grants to artists working in photography and lens-based media. Siskind established this grant to assist independent photographers to pursue personal projects without bias to any particular form of the medium. VMFA is in an excellent position to administer this annual prize due to its Visual Arts Fellowship Program that has supported Virginia artists for the past 80 years.