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History

RVA Legends — St. Luke’s Hospital

A look into the history of Richmond places and people that have disappeared from our landscape.

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1000 West Grace Street
Built, 1898 – 1901
Demolished, unknown
Architect, Baskervill & Son

Right across from where the Village used to be, there stood a hospital.

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This is one of the main Hospitals of Richmond, which, with the Medical Colleges, have made the City known for and wide as a health resort. Richmond Hospitals are second to none.

Drs. Hunter and Stuart McGuire’s private sanatorium, corner of Grace and Harrison Streets, Richmond, Va.

st-lukes-002

(Valentine Museum) 1968. Graduates from the School of Nursing at St. Luke’s Hospital; the young women, in white uniforms and caps, stand in a row in front of a small stage; they are, l-r: Constance Hagen Berry, Lucye Donna Duke, Betty Jo Andrews, Carolyn Marie Makela, Hattye Leigh Shelton and Katharine Ives Taylor.

St. Luke’s was founded in 1883 by Dr. Hunter McGuire, a Winchester native. The surgeon, one of the most esteemed figures of the Confederacy, served Stonewall Jackson’s corps in the Army of Northern Virginia. In 1863, it was McGuire who amputated Jackson’s arm after a bullet wound that would prove fatal and he was present in April 1865 when Robert E. Lee surrendered at Appomattox.

A year after he opened St. Luke’s Hospital on West Grace Street, McGuire died, and his son, Dr. Stuart McGuire, took over. Despite closing its doors temporarily during World War I when the younger McGuire went to work in war-torn France, St. Luke’s later expanded. A fourth floor was added in 1906, and in the 1920s four contiguous townhouses, just west of the hospital, were added to the complex.

January 2015

January 2015

Today, the corner is the home of the Grace and Harrison, Broad and Ryland Student Housing, completed and occupied since the above photo was taken.

January 2015

January 2015

Curiously, in the acquisition of the postcard at top, the vendor included a surprise – almost unnoticed and thrown away! No note of explanation included, nothing to actually link it concretely with the hospital, other than the legend engraved on the stem.

And yet, this spoon might just be a survivor of the St. Luke’s cafeteria’s creamed chipped beef.


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Downtown

The Valentine receives major national grant to upgrade archive storage facilities

The Valentine was awarded the largest grant of any other humanities project in Virginia and is in the top 8% of the 245 grant recipients across the country.

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On April 13th, the National Endowment for the Humanities (NEH) announced a grant awarding $408,761 to The Valentine for new collection storage materials. The grant will go toward the Valentine Moment Campaign, a years-long effort to modernize the museum’s storage facilities and strengthen the presentation of Richmond history by analyzing all 1.6 million objects in its collection.

The Valentine received the full amount requested with a 2:1 matching requirement after demonstrating its commitment to preserving local history, addressing complex social issues, and engaging diverse audiences. The grant will support a $1.6 million project to purchase and install compact storage cabinetry and fixtures in the main museum building, under the umbrella of the larger $16 million Valentine Moment Campaign.

“The Valentine Moment Campaign will fortify our museum to serve Richmonders for generations to come. The NEH’s generous grant is a crucial part of our efforts,” said Valentine Director Bill Martin. “This infrastructure upgrade allows us to safely store important historical objects, and our goal is to use these objects to engage, challenge and inspire our community.”

The Valentine was awarded the largest grant of any other humanities project in Virginia and is in the top 8% of the 245 grant recipients across the country.

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Education

U of R professors awarded $325K NEH Grant for open-source tool to analyze historic images

Statistics professor Taylor Arnold and digital humanities professor Lauren Tilton have received a nearly $325K ($324,693) grant from the National Endowment for the Humanities to support a project to build open-source software for collecting and analyzing digital images.

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Statistics professor Taylor Arnold and digital humanities professor Lauren Tilton have received a nearly $325K ($324,693) grant from the National Endowment for the Humanities to support a project to build open-source software for collecting and analyzing digital images.

Arnold and Tilton created and co-direct Photogrammar, an interactive photo collection focusing on the Great Depression era. The open-access, web-based tool allows users to easily navigate and engage with a collection of 170,000 photographs taken between 1935 and 1943.

The NEH Digital Humanities award will support a project to make the Photogrammar software available to allow anyone with a set of digital images and associated information to create — with no prior programming experience — their own digital public humanities projects.

“The goal of the software is to use interactive data visualization and AI to open up new ways of exploring and understanding digitized collections of images,” said Tilton. “We draw on methods from data science, spatial analysis, natural language processing, and computer vision to provide additional context and information to digital images — context that helps people browse and interpret the materials.”

“We are excited to create this open-source tool that will allow anyone to have this same experience with their own collections,” said Arnold. “We envision people using this software for a variety of different applications, from documentary photography, historic newspapers, and digitized medieval manuscripts.”

In addition to the software, the grant-funded project will produce six case studies that will model and highlight how the software can be used in a variety of different domains, data sizes, and types of institutions including archives, libraries, and museums. Extensive tutorials and documentation will be developed to assist in making the free software broadly accessible to the general public by 2025.

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History

The Valentine Museum and “Reclaiming the Monument” receive historic grant

The Valentine Museum and Reclaiming the Monument are the recipients of a $670,000 grant from the Andrew W. Mellon Foundation Monuments Project.

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The Valentine Museum and Reclaiming the Monument are the recipients of a $670,000 grant from the Andrew W. Mellon Foundation Monuments Project. The Monuments Project is an unprecedented $250 million commitment by the Mellon Foundation to transform the nation’s commemorative landscape by supporting public projects that more completely and accurately represent the multiplicity and complexity of American stories.

The Valentine has collaborated with Reclaiming the Monument founders and artist Dustin Klein (Technical Director) and Alex Criqui (Creative Director) to support the “Recontextualizing Richmond” public art project. This project, which will take place in 2022, will focus on the creation of a series of temporary light-based artworks addressing issues of historical, racial, and social justice in Richmond, Virginia, and the surrounding capital region.

“The Richmond story is America’s story. This project will bring new stories to light and encourage us to take a fresh look at our City’s history,” said Bill Martin, Director of the Valentine Museum. “We are excited to support the work of Reclaiming the Monument over the coming year. Richmond’s history has national significance and this grant from the Mellon Foundation recognizes the important opportunity we have to elevate it.”

Both organizations look forward to bringing visuals, conversations, and dialogue to the Richmond community, using primary source materials from the Valentine’s collection and other historical resources. For the Valentine, this is a unique opportunity to gather community feedback and support future projects at the museum.

The light installations, are intended to raise awareness about the neglected histories in our community as it continues to grapple with the complicated legacies of our past and how its telling has been used to shape and influence our present and future.

The collaborative nature of the project will create a greater dialogue between grassroots organizations, artists, historical institutions, and the general public that will lay a foundation for how public art involving historical memory can be created in a way that is inclusive and community-driven.

“It is our hope that by providing an opportunity for our community to engage with a more complete telling of our history through the power of public art that we will be able to help our city heal and move towards a future rooted in peace, justice, and equality,” said Alex Criqui, Creative Director for Reclaiming the Monument.

Recontextualizing Richmond will also produce educational resources that will be accessible to educators and students.

Additional information and details related to Reclaiming the Monument installations will be made available in early 2022. The Valentine and Reclaiming the Monument are committed to ensuring a safe and engaging event series for the Richmond community.

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